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The Cascajal Block: Iconographic Motivations, Part 3 (Note 36)
David F. Mora-Marín, 2024. davidmm.web.unc.edu (research notes).
Third of a series matching Cascajal signs to Joralemon's catalogue of Olmec motifs and to Early and Middle Preclassic art; identifies a knuckleduster, crossed bands and a paw, and argues the signary is consistent with Olmec art and later Epi-Olmec writing. 25 October 2024.
What it's used for here
Recent sign-by-sign iconographic work; an author's notes, not peer reviewed.
Our copy
Research copy, for editors and curators. The work is the publisher's, so readers are sent to it. We keep this copy so the citation can be checked if the page changes or goes.
davidmm.web.unc.edu · fetched 27 Oct 2026
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Cited by on this site 6 records
The Cascajal block and Isthmian writing
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Cite it
Mora-Marín, D. F. (2024). The Cascajal Block: Iconographic Motivations, Part 3 (Note 36). davidmm.web.unc.edu (research notes). https://davidmm.web.unc.edu/2024/10/25/note-36/
@misc{moramarin2024note36,
author = {Mora-Marín, David F.},
title = {The Cascajal Block: Iconographic Motivations, Part 3 (Note 36)},
howpublished = {davidmm.web.unc.edu (research notes)},
year = {2024},
url = {https://davidmm.web.unc.edu/2024/10/25/note-36/}
}TY - ELEC TI - The Cascajal Block: Iconographic Motivations, Part 3 (Note 36) AU - Mora-Marín, David F. PY - 2024 JO - davidmm.web.unc.edu (research notes) UR - https://davidmm.web.unc.edu/2024/10/25/note-36/ ER -
Mora-Marín, David F.. “The Cascajal Block: Iconographic Motivations, Part 3 (Note 36).” davidmm.web.unc.edu (research notes) (2024).